{"id":7255,"date":"2025-10-21T20:36:35","date_gmt":"2025-10-21T19:36:35","guid":{"rendered":"https:\/\/u-art-p.it\/non-categorizzato\/roberto-de-pinto\/"},"modified":"2025-10-23T08:34:40","modified_gmt":"2025-10-23T07:34:40","slug":"roberto-de-pinto","status":"publish","type":"post","link":"https:\/\/u-art-p.it\/en\/artists\/roberto-de-pinto\/","title":{"rendered":"Roberto De Pinto"},"content":{"rendered":"\n
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Home<\/a> \u00bb Artists<\/a> \u00bb Roberto De Pinto<\/strong><\/p>\n\n\n\n

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Roberto De Pinto<\/h1><\/div><\/div><\/div><\/div><\/div><\/div>

Ph Alberto_Nidola<\/p>\n

Instagram<\/a><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

\"ROBERTO<\/span><\/div><\/figure><\/div><\/div><\/div><\/div><\/div>
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Terlizzi (BA), IT – 1996<\/p>\n

Lives and works in Milan, IT.<\/p>\n

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In 2021, he received his Master\u2019s degree in Painting from the Brera Academy of Fine Arts. Roberto populates the canvas with bodies from the deep Mediterranean. They are the painter\u2019s alter egos, almost self-portraits, idle, immersed in water or in the shade of vegetation; sometimes only parts of faces or anatomical details emerge, while at other times they are depicted in small groups, scantily clad, perhaps due to the heat. They amuse themselves with small flowers that look like something out of a botany textbook or some of Pisanello’s studies. Sensuality dominates, and the techniques he uses become an eroticism of the skin, with tans and shadows on bodies.<\/p>\n

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De Pinto uses pastels, but especially encaustic, the central technique of his works, which has its roots far back in the history of painting and is inextricably intertwined with magical and miraculous moments in this language, such as the Fayum paintings, which were very important to de Pinto himself. The Mediterranean basin is, in fact, one of his primary sources of inspiration. His characters are depicted in two different tones and follow the classical division into red figures and black figures of Greek vase painting.<\/p><\/div><\/div><\/div><\/div><\/div><\/div>

\"Definirsi\"<\/a>\"Definirsi,2021\"<\/div>

Definirsi<\/a><\/h2>
Definirsi, 2021, Pastels on paper, Courtesy the artist and Falconi \u2013 Leidi Collection, 35\/42,5 x 50 cm\n<\/div><\/div><\/div><\/section>
\"L\u2019attimo<\/a>\"L\u2019attimo<\/div>

L\u2019attimo prima di un pensiero molesto<\/a><\/h2>
L\u2019attimo prima di un pensiero molesto, 2021, Encaustic on canvas, Courtesy the artist and Falconi \u2013 Leidi Collection, 180 x 135 cm\n<\/div><\/div><\/div><\/section>
\"La<\/a>\"La<\/div>

La serpe<\/a><\/h2>
La serpe, 2021, Pastels on paper, Courtesy the artist and Falconi \u2013 Leidi Collection, 50 x 35 cm<\/div><\/div><\/div><\/section>
\"Pastori<\/a>\"Pastori<\/div>

Pastori in processione<\/a><\/h2>
Pastori in processione, 2021, Encaustic on canvas, Courtesy the artist and Cavallo \u2013 Ilberti Collection, 180 x 135 cm<\/div><\/div><\/div><\/section>
\"Pescatori<\/a>\"Pescatori<\/div>

Pescatori in processione<\/a><\/h2>
Pescatori in processione, 2021, Encaustic on canvas, Courtesy the artist and Falconi \u2013 Leidi Collection, 180 x 135 cm<\/div><\/div><\/div><\/section>
\"Senza<\/a>\"Senza<\/div>

Senza titolo<\/a><\/h2>
Senza titolo, 2021, Pastels on paper, Courtesy the artist and Falconi \u2013 Leidi Collection, 42 x 30 cm<\/div><\/div><\/div><\/section><\/div>
Mostra di pi\u00f9<\/a><\/div><\/div><\/div><\/div><\/div><\/div>
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