{"id":5179,"date":"2024-12-20T14:11:16","date_gmt":"2024-12-20T13:11:16","guid":{"rendered":"https:\/\/u-art-p.it\/non-categorizzato\/talk-shared-horizons\/"},"modified":"2025-03-17T17:35:41","modified_gmt":"2025-03-17T16:35:41","slug":"talk-shared-horizons","status":"publish","type":"post","link":"https:\/\/u-art-p.it\/en\/exhibitions\/talk-shared-horizons\/","title":{"rendered":"Talk and personal exhibition”Shared horizons”"},"content":{"rendered":"
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Home<\/a> \u00bb Events<\/a> \u00bb Talk “Shared horizons”
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\"TALK<\/span><\/div><\/figure><\/div><\/div><\/div>

Talk and personal exhibition “Shared horizons”
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On View
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Opening with<\/strong> talk by the Artist
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Saturday 11 January 2025 – 17.30 \/ 20.00<\/p>\n

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Open only on request<\/strong><\/p>\n

Video Projection
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11 January 2025 – 25 January 2025<\/p>\n

Every weekday afternoon<\/p>\n

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Contact at +39 375 8860953<\/a><\/em><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Details<\/h3><\/div><\/div><\/div><\/div><\/div><\/div>

In conjunction with the screening at the Havana Biennial of Benedetta Fioravanti’s video \u201cGive me a moment, I leave the light on (intro),\u201d we are pleased to invite you to view the work at our space and to the talk \u201cShared horizons\u201d with artist BENDETTA FIORAVANTI, the collector DIEGO BERGAMASCHI (representing Seven Gravity Collection, also present in the Biennale with videos from the collection ) and GIACOMO ZAZA (curator of the project \u201cHorizontes fluidos\u201d in Havana Biennale).<\/p>\n

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After investigating psychophysical exhaustion in the last periods of his research, following a multi-branch vision, Fioravanti began investigating the theme of \u201creconciliation\u201d and emotional stabilization during his residency in Milan. The work “give me a moment, I leave the light on (intro)”, 2023, is the result of such inner research on the meaning of \u201creconciliation.\u201d Fioravanti went back to a memory from her own life when she watched the Olympic and athletic games with her family on TV. From there she dwelt on an unclear, unusual gesture that continually came back to him: the gesture made by Antonietta Di Martino, a former high jump athlete, before each of her jumps.<\/p>\n

This gesture is related to the psychological practice of Anchoring and Visualization used in coaching for sports, Antonietta Di Martino explains to the artist. Moreover, Di Martino, again, points out that her \u201canchor\u201d was a childhood memory, when her father would throw her in the air and make her experience the feeling of emptiness and disorientation, while the visualization in her was the movement of her hands before the high jump.
So Fioravanti takes his starting point from the practice of Anchoring and Visualization, that is, a process by which an association is created between experiences, which calls up certain sensations in each of us. Visualization occurs in \u201cdisassociating oneself from oneself in order to see oneself outside,\u201d observing things from a different perspective, from a new and foreign point of view to oneself.
The work “give me a moment, I leave the light on (intro)” uses the digital material of Antonietta Di Martino’s moment before the jump, taken from the immense fluid platform of YouTube, and converts the anchoring into the practice of networked pre-picking of content from other users, according to the artist’s methodology, content referring to sensations she explored previously. To these Fioravanti also combines some autobiographical video materials and materials not her own, nor taken from the web, but received from a supervisor of the Fabbrica del Vapore.<\/p>\n

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However, this video work, with penetrating music and sound composed by Tommaso Pandolfi (Furtherset), represents an \u201cintro\u201d because for Fioravanti visualization is not yet made explicit. At the moment we only witness a visual \u201canchoring\u201d to reality (experienced from within and recovered in the fluid world) as a preamble to non-rational events that the artist may consider in the visualization.
Fioravanti experiments with the theme of anchoring and visualization in the visual field of moving images, beginning with a confrontation with the athlete and the combination of the foundation of therapy and his artistic modus operandi. He begins a reflection on the process of disorientation and vulnerability that presupposes this very theme. The question remains: how do we keep this psychological practice effective and achieve stabilization within human vulnerability?<\/p>\n

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Courtesy<\/h4>\n

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     Collection Falconi Leidi<\/p>\n

     Benedetta Fioravanti<\/p>\n

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Organizer<\/h4>\n

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     Organization and Coordination U-ART-P<\/p>\n

     Curated by Oliviero Falconi<\/p><\/div><\/div><\/div><\/div><\/div><\/div>

Venue<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>
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Via Don Luigi Palazzolo 42<\/p>\n

Bergamo, BG<\/p>\n

Italy<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Artists<\/h3><\/div><\/div><\/div><\/div><\/div><\/div>
<\/a>\"Benedetta<\/div>

Benedetta Fioravanti<\/a><\/h2><\/div><\/div><\/section><\/div><\/div><\/div><\/div><\/div><\/div>
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Installation Views<\/h3><\/div><\/div><\/div><\/div><\/div><\/div>